Sedang aku terkenangkan masa-masa lalu, sebuah bungkusan telah tiba. Bungkusan yang membuatkan Azhan dan Nine begitu teruja dan seronok...sangat gembira. Segala ole-ole dan kuih-muih yang terkandung didalamnya mengubat sedikit kerinduan kami... terima kasih tidak terhingga kami buat mak dan ayah. Moga Allah sentiasa melimpahkan rahmatnya keatas mereka.
Monday, 29 September 2008
SELAMAT HARI RAYA AIDILFITRI 1429 Hijrah
Sedang aku terkenangkan masa-masa lalu, sebuah bungkusan telah tiba. Bungkusan yang membuatkan Azhan dan Nine begitu teruja dan seronok...sangat gembira. Segala ole-ole dan kuih-muih yang terkandung didalamnya mengubat sedikit kerinduan kami... terima kasih tidak terhingga kami buat mak dan ayah. Moga Allah sentiasa melimpahkan rahmatnya keatas mereka.
Sunday, 21 September 2008
MENARA LEMBAGA GETAH MALAYSIA - MRB TOWER - episode 1
The new building reflects the corporate image of LGM as one of the government
bodies besides the Petronas which keeps Malaysia on the edge with other developed countries.
LGM is very synonym to rubber as the main function of the board is to seek for new technology in the rubber industry. This could be easily seen from the LGM logo itself, where a rubber seed is proudly portrayed on it. Again, this shows the importance of rubber seed in the industry. These are some of the reasons why the rubber seed is used for the main concept to unleash the corporate image of LGM. The floor plan of this building takes the shape of the rubber seed which is safely protected with an outer layer that looks somewhat like a shell. If one has the chance to analyst the nature of rubber seed one will find that there is an empty space in the centre of it. And this empty space provides good air circulation for the seed to grow.
The nature of the rubber seed is directly applied to the whole building, in order to create good ventilation and gathering space on the constrained office. This will create a double layered surface for the building. Both layers are connected to one another by a corridor which allows the occupants to experience a wider view of the outside world.A tower sitting on the ground becomes the landmark of the overall LGM district, and it also functions as the services centre. This is to avoid the services from cramming up the building if it is put together with the office area.
Once the shape of the floor plan is extruded to construct the skyscraper, it looks like a fully grown rubber tree. The building is substantially defined by the decisions to raise the shape of rubber seed on inclined columns above the hollow centre. The inclined columns allow the number of piles to be reduced and also give this otherwise building a more dynamic appearance to the outside world. Additionally, in lifting it out of the ground, gives it the dignity and authority which that site, at the entrance to the office, needs. A further bonus is improved air flow across the site.
The construction of the LGM building does not interfere the existing trees around it as these trees are well preserved by the inclined columns. The columns provide a shady canopy walk which allows passersby to go through the 'forest'. The existence of the canopy walk creates a shortcut to the KLCC Tower and a clear pedestrian walkway.
As a child who had grown up in the rubber growth environment, it is a pride to see the LGM (MENARA GETAH ASLI) new building standing tall with the other great skyscrapers as prestigious as KLCC Twin Tower and The Asscot Hotel.1. The first massing follows the building height of the WISMA ROHAS PERKASA as a limit for the proposed tower.It creates a continuous building plane along Jalan P.RamleeHowever, it does not respond to the height of THE ASCOTT APARTMENTS.This 21-level height massing fails to give an inclined climax to the lot angle, but it only give a monotonous picture of the continous building plane on Jalan P. Ramlee. For the continous builing plane on Jalan Pinang, itsmassing causes sudden declined climax towards the existing skyline.
Notes: Unfortunately, some of the information of this project is still kept by my former lecturers and several bits of information were left at my home back in Malaysia. To be continue...
MRB TOWER by Fadzlan Rizan Johani is licensed under a Creative Commons Attribution-No Derivative Works 2.5 Malaysia License.
Sunday, 14 September 2008
ESOK PENGORBANAN INI MEMBAWA KEBAHAGIAAN
ESOK PENGORBANAN INI MEMBAWA KEBAHAGIAAN by Fadzlan Rizan Johani is licensed under a Creative Commons Attribution-No Derivative Works 2.5 Malaysia License.
Saturday, 13 September 2008
RAJA FUTSAL
DETIK BAIK
Kadangkala ada baiknya jika kita menikmati setiap hari dengan menghargai detik-detik baik untuk hari ini. Ia akan merangsang kita untuk melangkah di hari esok dari terhenti di masa lalu memikirkan kesilapan yang telah berlaku.
Friday, 12 September 2008
JUCTION 27
1. Junction 27 was originally designed and built by RGP Architects. Due to the expansion of the retail park, a new retail unit would need to be built.
2. Because of the lack of available site within the retail park, the proposed new retail unit would replace the new built smaller unit. This small unit will be knocked down (although the unit was quite new) and would be replaced by a bigger retail unit.
3.I believe the client has considered the profit of taking the bigger unit as more worthwhile despite the fact that they would have to demolish the existing unit.
4. I had produced the preliminary drawing which consisted of plan and elevations.
5. Interestingly, the use of 3d modelling and visual assistants was to convince the client that the new bigger unit would not block any signage of the current tenant.
Visibility study
6. With my own initiative, I secretly rendered another view looking towards the entrance. This is because most of the photos that I needed to use to superimpose the illustration would not be able to reveal the whole design of this project. If I used those photos, the illustration would only feature a portion of the back and the side of the building.
7. The client soon agreed and believed that the building would sit in its place without disturbing the existing tenant signage and visibility. They were also amazed with the extra view from the entrance that I’d produced.
One of the comments was, “If only we could build them this easy. It looks so real as if we could move into the building straight away.”
Well, it's not really that great, is it?
http://www.rgp.uk.com/ RGP have an innovative approach to architectural design. We have no dogma, no standard answers and we are spirited and fun to work with.
Thursday, 11 September 2008
RIVERSIDE RETAIL PARK
01 June 2007
This post is a little back-dated in comparison to the completion of this job
1. The project is a clear example of a building that evolves to response to its surrounding.
2. The corner of the retail was previously where the external garden centre sat. They intend to extend the retail parks up to the edge of the site perimeter. Hence, the garden centre would have to go.
The Site Plan
3. This new extension is hoped to attract more customers.
4. To realise the hope of drawing more customers, the new extension would need a new landmark sign for the site.
5. The landmark would also serve as an entrance to the retail park for the pedestrians.
6. A few sketches were made to study the pedestrian flow towards the retail park and the amount of visual appearance of the landmark from vehicular traffic.
7. This juxtaposition of both elements (vehicle and pedestrian) creates a certain degree of angle to locate the best position for the landmark.
9. The gable roof form on the façade was being transformed into a semi-translucence (could be polycarbonate) pyramid.
10. When the design detail was finalised, we then need to look at different aspects of signage position, size and types for potential tenants.
11. The signage should be flexible enough to cater different types of layout.
12. Bear in mind that signage is an important aspect in any retail development.
Option 1
Option 2
Option 3
Option 4
Wednesday, 10 September 2008
MIND PUMPING
2.If you want to be an artist (architect, designer, etc) and actually go to through the motions of being one, you will become at least an adequate artist.
3.This world offers no guarantees, only opportunities and vicissitudes.
4. When you reach for the stars you may not get one, but you won's come up with a handful of mud either.
Reference: Thinkertoys, 2006 by Michael Michalko
vicissitude (plural vicissitudes)
1.Regular change or succession from one thing to another, or one part of a cycle to the next; alternation; mutual succession; interchange.
2.(often plural) a change, especially in one's life or fortunes.
Friday, 5 September 2008
KUMPULAN DPI OFFICE
Finish illustration back in July 2005
This was one of my freelance works that I did with DOT (Design Option Team) several years ago. Unlike other illustration services that DOT’s offered, this assignment was inclusive of designing the exterior façade.
Initially, the client had a schematic plan designed by their own architect. I was then appointed by the client to design the exterior facade.
Re-visited diagram
1. My approach for the design was to divide the huge massing of building created by the architect’s schematic plan into several proportional cubes.
2. This cube would provide a building mass that could easily be tailored into a practical design facade.
3. The central part of the building (central cube & stair cube) was designed with sleek, sharp and clean design. This was introduced to bring a strong corporate feature to the client.
4. Both right and left side of the cube was designed with more highly structured detail. The use of vertical and horizontal louvers had also been introduced. This would not only reduce solar gain but also expose the beauty of its details. A sloping roof had been chosen instead of a flat roof on the central cube.
5. This design approach should break the “fat” massing into slimmer, elegant, sexy and proportionate building. The detail of each side keeps the main focus and intention of the building towards the simple entrance. The simple solutions portray a strong statement of business foundation.
The client loved the solution and design but unfortunately I couldn’t further proceed the work to the next stage. I had to surrender the design back to the architects as I couldn’t commit to work on it on a full-time basis.
This simple exercise proved to me that I also had the capability to manage and make decisions in real life design. But in my full-time office (during my younger years), I was only the background figure who assist the senior designers.
The success of this exercise (and many more jobs similar to this) however doesn’t mean that I should be a senior designer straight away. It also doesn’t mean that I should just lay back and become a follower. I believe that in the long term learning process I should also learn to give design direction.
If you could not have that opportunity in your office (due to inexperience) you could start doing it on your own...gaining experience.
Wednesday, 3 September 2008
The Bottom Line
September 3, 2008 Capricorn (Dec 22 - Jan 19)